Over time, the collectors’ affinities have emerged—an interest in women artists, whimsical subjects and artists with a lyrical hand. CMAA helped the collectors identify these interests by observing what they were naturally drawn to; then those interests were named and explored. Together with the collectors, CMAA has continued to suggest new artworks for acquisition within those contours, occasionally pushing their boundaries.
Society Hill, Philadelphia
In collaboration with architecture firm Rasmussen/Su, CMAA worked with a young professional family to source artworks for their new Philadelphia home. The starting point for the project was the family’s existing interest in and excitement about contemporary art. Shown here from left to right: Rebekah Callaghan, Blue Works (2021) and Bethann Parker, Green Pastures (top) and Strawman (both 2020).
Emma Kohlmann, Hanging Trust, 2019
Bethann Parker, Strawman, 2020
Bethann Parker, Green Pastures, 2020
Painting: Rebekah Callaghan, Untitled, 2022
Photographs (left to right): Judith McMillan, Lilium (Lily), 1999, Tulip Garden, 2001
Judith McMillan, Lilium (Lily), 1999
Karina Bania, In Conversation, 2022
Painting: Karen Smidth, Blue Silver of Sea, 2022
Photograph: Katherine Wolkoff, Deer Bed, 2007
Left: Matt Mullican, Untitled
Right (foreground): Emma Kohlmann, Open Portal, 2021
Brian Rattiner, Playa de los Muertos, 2018
Antony Densham, works on paper, 2020–2021
Top: watercolor, unknown artist
Bottom: Karen Smidth, Moody Pt. Reyes, 2018
Alexa Guariglia, Tuesday Plaid, 2021
Bradley Wood, Sol, 2020
Claire Sherman, Landscape
Architect: Rasmussen/Su
Interiors: Rasmussen/Su & Wild Chairy
Photography: Jeffrey Totaro

