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Rachel Beach, from left to right: Caron (navy hand) and Up Tack (grey blue hand).
Both photographs: 2017, archival photographic print, wood frame, 72 x 48 inches, Edition of 5, 2 AP. Courtesy of the artist. Photo: Erica Kyung -
Left: installation view of 4 photographs from Rachel Beach's photographic Hands series (2017).
Right: Jack Bush, 1965, oil on canvas, 69 x 89 inches, part of the Consulate General's permanent collection. Photo: Erica Kyung -
Cal Lane, from left to right: Moral Mortar (2011, steel ammunition box), Covet Love Rug (2009, steel oil drum)
and Infrared Illumination (2011, steel ammunition box). Courtesy of the artist. Photo: Erica Kyung -
Mona Saeed Kamal, 1001 Migrations, 2018, Approximately 10 x 10 feet
floor installation of paper boats, gouache paints on water colour paper. Courtesy of the artist. Photo: Erica Kyung -
Mona Saeed Kamal, 1001 Migrations (detail), 2018, Approximately 10 x 10 feet
floor installation of paper boats, gouache paints on water colour paper. Courtesy of the artist. -
Elise Rasmussen, Seeing Skies Seemingly Blue, 2018, cyanotype on Silk, 36 x 4 feet, Edition 1/1
and Did you know blue had no name?, 2018, still from 16mm film, transferred to HD Video, 6:38 looping. Courtesy of the artist. Photo: Erica Kyung